Indian Painting under the Mughals, A.D. 1550 to A.D. 1750 c16.28

c16.28

No artist can be expected to give his mind to his calling in the midst of a people who are either wretchedly poor, or who, if rich, assume an appearance of poverty, and who regard not the beauty and excellence, but the cheapness of an article: a people whose grandees pay for a work of art considerably under its value, and according to their own caprice, and who do not hesitate to punish an importunate artist, or tradesman, with the *korrah*, that long and terrible whip hanging at every Omrah’s gate. Is it not enough also to damp the ardour of any artist, when he feels that he can never hope to attain to any distinction; that he shall not be permitted to purchase either office or land for the benefit of himself and family; that he must at no time make it appear he is the owner of the most trifling sum; and that he may never venture to indulge in good fare, or to dress in fine apparel, lest he should create a suspicion of his possessing money?