Indian Architecture (Buddhist and Hindu Periods) c33.7

c33.7

As only the great hall is now the part in existence, it is from this structure alone that the architectural style of the Sas-Bahu can be judged, but it is quite sufficient for the purpose. Externally this maha-mandapa or assembly hall is in three stories, which take the form of open galleries or loggias surrounding the building on all sides Each story is defined by a massive architrave, with the spaces between occupied by pillars and piers, the effect of the facades being that of large open arcades. The roof is partly demolished, but was an arrangement of diminishing tiers of ornamental masonry rising up into a low pyramidal or domical formation. Undoubtedly much of the vivid and vigorous appearance of the exterior elevation of this structure was obtained by the skilful conception of its plan, one of the underlying objects of which was to enable the facades to be projected into a bold combination of contrasting planes. These planes, interrupted by columns alternating at regulated intervals with openings, have been so devised as to produce a successive correlation of solids and voids, of passages of light merging into graduated shadows, which make the exterior of this building, from all points of view, a composition of more than ordinary elegance.