Jain Miniature Paintings from Western India c12.20

c12.20

conviction and of freedom from any specific material interest. This is the most spiritual form known to us in Indian painting, and perhaps the most accomplished in technique, but not the most emotional nor the most intriguing. Human interest, and charm, on the other hand, are represented in Ajaṇṭā painting and in late Rājpūt art.⁹⁸