Jain Miniature Paintings from Western India c14.159

c14.159

Pādataḍitakam, 134, 135. Padmāvatī, the representation of, 46, 47, 53. Pagan, frescoes mainly Buddhist with the admixture of Brahmanical subjects, 19; second group of painting of the 12th century, 19–20; influence of Eastern and Western Indian art traditions on Pagan frescoes, 20; the chief characteristics of Pagan School, 21; 24, 26, 131. Painting, references to in Jain literature, 7 ff.; characteristics of early painting, 8; origin attributed to Ṛṣhabha Deva, 8; certain kind of paintings forbidden to monks, 8; technical process involved in paintings, 9; picture galleries, 9; realism, 9; constituents of painting, 10; various stages in painting, 95. Palm-leaf, miniatures on, different styles, 27; characteristic mode of decorating palm-leaf, *ib.*; divided into two groups, (1) 1100–1350, (ii) 1350–1450, 28 ff.; characteristics of the first group, 31–32; rudimentary landscape in *Subāhukathā*; 32 technical improvement in the second group probably due to Persian influence, 33; Professor Norman Brown’s views on the stylistic variations in palm-leaf miniatures, 34 ff.; criticism of Professor Norman Brown’s views about stylistic variations in palm-leaf paintings, 36.