Jain Miniature Paintings from Western India c14.242

c14.242

T Tabriz, centre of paper manufacture, 73. Talaings, rulers of Burma ; Indian influence on Burman painting in their period, 20. Tārānātha, his remarks on the history and development of Indian painting with particular reference to Western Indian School, 16–18 ; 24, 26. Taruṇaprabhāchārya, mystic diagram of, 46 ; called Chintāmaṇi Yantra ; dated 1354 ; subject-matter and the colour scheme, 46–47. Technical process, 94 ff. ; some aspects of, 94 ; eight stages of painting, 95 ; Mānasollasa on various processes involved in painting, 95–96 ; light and shade, 96 ; colours used in final outlining, ib. ; lighting, shading and stippling according to the Viṣṇudharmottara, 96–97 ; attempt at modelling in palm-leaf period, 97 ; actual technical processes followed in Western Indian painting, 97–98 ; various stages involved in Mughal painting, 98–99. Technique, over-elaboration in mediæval Sanskrit texts on painting, 67 ; importance of the study of technique, ib. ; difficulties in study of the technique of Western Indian painting, 67–68. Terraverte, its use in Ellura paintings, 83. Tilaka (headmark), not necessarily Vaiṣṇavite, 56 ; significance of Vaiṣṇavite tilaka in Western Indian painting, 127.