Rajput Painting, Being an Account of the Hindu Paintings of Rajasthan and the Panjab Himalayas from the Sixteenth to the Nineteenth Century v2.c19.454

v2.c19.454

‘They all, being pleased (by the request of Krishna’s messengers), taking and filling severally golden dishes with food of six flavours, rose up and hastened, and were hindered by no obstruction.
‘The husband of one Mathurā woman did not allow her to go; then she, meditating on Krishna, abandoned the body, and before all the others went and united with him, as water goes and unites with water; and afterwards all, proceeding on, came where Śrī Krishna Chand, with the cowherd lads, with his hand on the shoulder of a companion, in thrice-bent beauty, stood with the flower of a lotus in his hand.’