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Elements of Buddhist Iconography c6.97

Elements of Buddhist Iconography c6.97

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c6.97

⁶⁶ (page 29). For the opposing points of view in dramatic contrast, cf. Bhagavad Gītā, III, 16-25, and Anugītā, Ch. XXX. The contrast, however, is more apparent than real: what is taught in the Anugītā and in early Buddhism is indeed the stoppage (nissa-

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