The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c7.s1.t2.23

c7.s1.t2.23

*b)* There remains then to be explained the panel immediately below. Once more it represents a king leaving his capital : chariot, music, guards, suite, spectators, everything, even the architecture, is similar to § 7 *a*. Only we notice the way in which the rampart of bricks goes right to the top of the panel, in order to separate the city from the