The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c9.152
The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c9.152
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c9.152
2. At the bottom, on the right, the Perfect Illumination (*Abhisambodhana*), at Bodh-Gayā, symbolized by the Attack of Māra (*Māra-dharshaṇa*); Buddha is seated and makes the classical gesture of the *bhūmi-sparça-mudrā*; at the top, on each side, are two demons; at the bottom, on his right, is Māra, and, on his left, one of the daughters of Māra.