The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c9.211
The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c9.211
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c9.211
The upper corners of the slab are occupied by two scenes, of which the Bodhisattva is the hero (cf. pl. XXVII, at the top), and the two upper tiers of the gable by two episodes from the Mahābhinishkramana, the « Departure from Home » (cf. *Art g.-b.* pp. 349-361).