The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c9.226
The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c9.226
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c9.226
At the bottom, standing on each side of the lotus, a male and female devotee without haloes are, perhaps, Lūhasudatta and his wife Riddhila-mātā (cf. above, pp. 173-4). Beside the two acolyte garland-bearers we may count about twenty more divinities.