The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c9.65

c9.65

¹ See *Jātaka*, IV, p. 265, ll. 13-14 ; the English translation (IV, p. 168, l. 13) of *oruyha* = *avaruyha* by « then arose » seems to us to be a *lapsus calami*, going directly against the meaning. It will be noticed that the Pāli, like the *Mahāvastu*, makes use of the technical term of *yamaka-p°*; BIGANDET, *loc. cit.*, p. 207, gives us a very clear description of it (perhaps even two descriptions, cf. below, p. 157); it is also easily recognized through the *tejo°* and *apokasina-samāpatti* of Sp. HARDY, *loc. cit.*, p. 297.