The Music of Hindostan c10.28
The Music of Hindostan c10.28
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c10.28
¹ This is not a mere piece of theory. It will be found that melodies in the G and A modes (the Mixolydian and Aeolian) throw much emphasis on the seventh note, the terminal of the second tetrachord, which those in the other modes do not, at any rate to the same extent.