The Music of Hindostan c11.220

c11.220

Secondly, in the chosen ‘mood’ (*Rāg*) the notes stand out from each other as clearly as the faces of our friends do to the mind’s eye. One of our systems describes the Third of the scale as the ‘restful’ note, the Fourth as ‘awe-inspiring’, another note as ‘desolate’, another as ‘enterprising’. But in this music any given