The Music of Hindostan c13.s3.144
The Music of Hindostan c13.s3.144
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c13.s3.144
But these two examples are the opening phrases of two several compositions where a certain clearness of balance is necessary and some general unity (here twelve bars) is indispensable: in the course of a composition (as we may conclude from Ex. 318) no such higher unity need be or is aimed at; the sections may be as various as the composer pleases.