The Music of Hindostan c15.45
The Music of Hindostan c15.45
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c15.45
The next two examples have no such authority. They are merely the versions of two gurus, whom I heard in Mysore and Bangalore, of an identical verse, and represent possibly two different sects (śākhā). The tonic is D in both cases; that of Mysore ‘closes’ by means of an unusual leap (C, E, C, D), and that of Bangalore by the device of an ‘Alleluia’ (stobha):