The Music of Hindostan c15.9
The Music of Hindostan c15.9
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c15.9
That is the original theory of the recitation; it will be seen, however, that it is modified in practice. This example, from Haug, p. 52, shows the svarita marked with a perpendicular line over the syllable, the anudātta with a horizontal beneath³; the udātta and pracaya are unmarked: