The Music of Hindostan c17.53
The Music of Hindostan c17.53
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c17.53
Conjunct motion, too, is eminently suited to the speaking voice, which makes small changes in pitch; moreover small intervals seem to be more effective than large against a drone, as may be seen in Schubert’s *Leiermann*. The song has contained plenty of disjunct motion, but in the last line: