The Music of Hindostan c8.s3.12
The Music of Hindostan c8.s3.12
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c8.s3.12
Next to the expressive vīṇā comes the dignified surbahar, which I heard only in Calcutta, where it was played by Sourendro Banerji. Its lower strings, which are freely used, have to be struck hard in order to produce the after effect of gamak