The Music of Hindostan c9.s1.36

c9.s1.36

In favour of this explanation, which is in principle that adopted in Mr. Clements's book, it may be said (1) that the *Ga-grāma* is thus made a true *grāma* and differs from the *Ma-grāma* (as that did from the *Sa-grāma*) by the alteration of one *śruti* only; and (2) the difference between the three *grāmas* lies in the treatment of the F, and this is just the difference we were led to expect by the Folk-songs, and still more by the flute tunings.