The Music of Hindostan c9.s2.94

c9.s2.94

for instance, tends to be sung as a larger interval (since the B is forced up by the harmony to be a major tone from A) than that in where the interval E–F# is a minor tone. The first of these is, in fact, what we have been speaking of as the interval C–A, the second the interval C–A. The distinction between these two is also made use of in Schubert's *Ganymed* for a particular effect: