Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c11.10

c11.10

(1) Nāgānandam translated by B. H. Wortham, London, p. 28.
(2) Vāsavadattā (Gray’s Translation, Columbia University, 1913), p. 135-36, Text (at p. 192, line 8) “Hṛṣta-kalama-gopikā-gīta-sukhita-mṛga-yuthe.” On this passage, the commentator Sivarām (Hall’s edition, p. 288) glosses ‘kalama-gopikā’ as ‘Śāli-samrakṣakā’, that is, ‘guardians of the paddy fields’.
(3) Gray’s translation, p. 126. Text (at page 187, line 9): “Samāsanna-kinnari-gita (Śravaṇa-ramamāṇa) ruru-visarena.” [266].
(4) In the anecdote of Harivara and Anaṅgaprabhā (Penzer’s Edition, Vol. IV, p. 152). Text: “Sa tena gīta-śavdena śrutena harino yathā| Akṛṣṭo’ bhyapatattatra rathamumucya kevalah||” 197.
(5) “Pāṭaliputra-nagare yatra yatra jajou sa tu| Tatra tatra yayuḥ pourāḥ gītākṛṣṭāḥ kuraṅgavat||” 39 (Bib. Indica, Edition, IX, 39). “Rājāpi tasyāstādṛkṣa-niḥ kṣobhatvena vismitah| Utkarṇo’ bhut kathām śrotum gītim mṛga ivoccakaiḥ”|| 194 Ibid, III, 194.