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Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c14: Selected Bibliography

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c14

Language
English

Contents

Selected Bibliography

I. Books

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RAJA SOURINDRA MOHUN TAGORE: *Six Principal Ragas of the Hindus*, 6 plates, Calcutta 1877. *Out of print.*

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RAJA SOURINDRA MOHUN TAGORE: *The Eight Principal Ragas of the Hindus, with tableaux and dramatic pieces illustrating their character*, pp. 161, 8 plates, Calcutta, 1880. *Out of print.*

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J. GROSSET (Lyon): *Contribution à l'étude de la Musique Hindoue*, (Paris, 1888, Leroux). *Out of print.*

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B. A. PINGLE: *Indian Music*, pp. XVIII, 341, Index, Byculla, 1898, 2nd Edition. *Out of print.*

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ANNE C. WILSON: *A Short Account of the Hindu System of Music*, pp. 48, London, 1904.

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RICHARD SIMON: *The Musical Compositions of Somanatha critically edited with a table of notations (Lithographed Ms. in Nāgari)*, pp. 11,33 Leipzig, 1904.

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A. K. COOMARASWAMY: *Essays in National Idealism*, Colombo, 1909. Chapter on Music.

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MRS. MAUD MANN: *Some Indian Conceptions of Music*, (Proceedings of the Musical Association), London, 1911, 12, pp. 41.

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A. C. MACLEOD (Lady Wilson): *Five Indian Songs*, Edinburgh, 1912.

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RATAN DEVI: *Thirty Indian songs, with texts and translations by A. K. Coomaraswamy*, London, 1913, 7 Illustrations. *Out of print. Perhaps Messrs. Luzac & Co. London have copies.*

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E. CLEMENTS: *Introduction to the Study of Indian Music*, pp. IX, 104, London, 1913. (Longmans Green & Co.).

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E. CLEMENTS: *Lectures on Indian Music*, Philharmonic Society, Poona (no date).

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A. H FOX-STRANGWAYS *The Music of Hindostan*, Oxford, 1914

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K. V. DEVAL. *Theory of Indian Music as expounded by Somanath*, pp 64, Arya Bhusan Press, Poona, 1916.

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Report of the First All-India Musical Conference held at Delhi in 1916, Baroda, 1917

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Report of the Second All-India Musical Conference held at Delhi in 1919 Delhi, 1919

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Report of the Fourth All-India Music Conference held at Lucknow in 1925. Lucknow, 1925.

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K V DEVAL *The Rāgas of Hindustan*, Philharmonic Society, Poona, 1918-23, 3 Vols

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H A POPLEY *The Music of India* (Heritage of India Series), Association Press, 3, Russell Street, Calcutta, 1921.

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H P KRISHNA RAO *The First Steps in Hindu Music in English notation*, Bangalore

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H P KRISHNA RAO *The Psychology of Music*, Bangalore, 1923, (To be had of author, 6th Road, Chamarajpet, Bangalore).

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ATIYA BEGUM FYZEE-RAHAMIN *The Music of India*, London, Luzac & Co , 1926

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ETHEL ROSENTHAL *The story of Indian Music and its Instruments A Study of the Present & A Record of the Past*, (William Reeves), London, 1928

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PANDIT N V. BHATKHANDE (Vishnu Sarmā) *Hindusthānī Sangīt Paddhati*, published by B. S. Sukthankar, Vols I to IV, Poona, San 1914-1932. In Mahratta

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A Hindi translation of this work is in course of publication in the Journal “Sangeeta”, Lucknow

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LALA KANNOO MAL. *Kāma-Kalā*, published by the Punjab Sanskrit Book Depot, Lahore, 1931.

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M. S RAMASWAMI AIYAR *Rāmamātya’s “Swara-Kalā-nidhi”* edited with Introduction and Translation, The Annamalai University, 1932.

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M S RAMASWAMI AIYAR *Somanāth’s “Rāga-vivodha”*, edited with Introduction and Translation, Triplicane, Madras, 1933

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MAHARANA VIJAYADEVJI OF DHARAMPUR: *Sangit Bhāva* (with pictorial illustrations and notations of rāgas), Bombay, 1933 (Publishers: D B. Taraporevala & Sons). RAI BAHADUR BISHAN SWARUP: *Theory of Indian Music*, Swarup Bros. Maithan, Agra, 1933

II Essays and Articles in Journals, Periodicals, Etc

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PANDIT N. V BHATKANDE: *A Short Historical Survey of the Music of Upper India* (A paper read at All-India Music Conference, Baroda, 1916) published by "Bombay Samācar," 1917.

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PERCY BROWN: *Visualised Music*, Young Men of India May 1918.

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JOGENDRA NATH MUKHERJEE: *A Lecture on Rāgas & Rāginis* delivered at 'Indian Music Salon' held at Government House, Calcutta, on 7th December 1920, published by the Indian Society of Oriental Art, Calcutta, 1921, with illustrations.

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P V. MAUJI: *Rāginālā*, (a series of articles in English with Sanskrit and Hindi texts, and annotations in Gujarati, accompanied by illustrations of Rāgini pictures, published in the Journal "Suvarna-Mālā", Bombay, 1923-1928

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S G KANHERE: *Some Remarks on Indian Music*, (Bulletin, School of Oriental Studies, London, Vol IV, pp 105-120).

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LALA KANNOO MAL: *Notes on Rāginis*, (Rūpam No. 11, 1922).

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PHILIPPE STERN: *La Musique Indoue*, (La Revue Musical, Mai, 1923, pp 31-36, Paris).

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A. K COOMARASWAMY: *Hindi Rāgmālā texts*, (Journal of the American Oriental Society, Vol 43, 1933 pp 396-409)

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STANLEY RICE: *Hindi Music*, (The New Criterion, June 1926, pp. 538-551, London)

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A. K COOMARASWAMY: *Dipaka Rāga*, (Year Book of Oriental Art & Culture, London, 1925, p. 29).

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M. RAMAKRISHNA KAVI: *King Nānyadeva on Music*, (The Quarterly Journal of the Andhra Historical Research Society, October 1926, Vol. I, Part 2 pp. 55-63)

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M. RAMAKRISHNA KAVI. *Literature on Music*, (*Ibid*, July 1928, Vol III, Part 1, pp 20-29)

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M RAMAKRISHNA KAVI *Literary Gleanings Sangitāchāryas Nānyadeva, Jagadekamalla, Someśvara, Śārangadeva, Pārsva-deva, Devana Bhatta, Aliya Rāmarāya* (*Ibid*, Vol IV, Parts 2, 3, & 4, October 1928—April 1929)

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BRAJENDRA KISHORE ROY CHOUDHURY A series of articles in Bengali on the iconography of rāgas with Sanskrit texts in the Bengali monthly Journal *Sangīta-Vijñāna-Praveśikā* (Bengali years 1335 to 1340)

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V V NARASIMHACHARY *The Early Writers on Music*, (Journal Music Academy, Madras, 1930, Vol I, No 3, Vol II, No 2)

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PANDIT V N BHATKHANDE *A Comparative Study of the Leading Music Systems of the 15th, 16th, 17th, and 18th centuries* (A Series of articles published in “Sangeeta”, Lucknow, Vol I, No. 1, 2, 3, 4, 1930-1931)

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T L VENKATARAMA IYER *The Musical Element in Kalidasa* (Journal of Oriental Research, Madras, Vol IV, Part IV, 1930)

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V RAGHAVAN *Some Names in Early Sangīta Literature*, (Journal of the Music Academy, Madras, Vol III, Nos 1 & 2, 1932)

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V RAGHAVAN *Some More Names in Early Sangīta Literature*, (*Ibid*, Vol III, No 3 and 4, 1932)

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V RAGHAVAN *Later Sangīta Literature*, (read before the Music Conference, Madras, December, 1932)

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N C METHA *Rāgas & Rāginīs in a Laudian Ms*, (The Bodleian Quarterly Record, Vol VI, No 76, Oxford, 1932)

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PHILIPPE STERN *The Music of India and the theory of the Rāga* (Indian Art and Letters, New Series, Vol III, No 1, pp 1-9, London, 1933)

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W. J. TURNER ‘*Visual Music*’, (The New Statesman and Nation, London, July 7, 1934, p 13)

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O C. GANGOLY ‘*Rig Rāginīr nāma-rahasya*’ [The mystery of the names of melodies], (A series of articles in Bengali published in the Journal *Sangīta-Vijñāna-Praveśikā*, Calcutta, Bengali year 1941, Baiśākh to Chaitra)

III. Journals on Indian Music

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I *The Indian Music Journal* (monthly) edited by H P Krishna Rao, Mysore, 1911-1912, now extinct.

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II *Sangeeta-Prakāśikā* (monthly), a Bengali Journal, Calcutta (1307 to—), now extinct A translation in Bengali of the Sanskrit text of Rāga-Vivodha was serially published in this Journal

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III. *Ananda-Sangita-Patrikā*, (monthly Journal in Bengali, Edited and published by Lady Prativa Chowdhury and Indira Devi, Calcutta (1320—)

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IV *Sangeeta*, A quarterly Journal of Hindustanic Music, published by the Marris College of Hindustani Music, Lucknow (From 1930, in progress)

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V *The Journal of the Music Academy*, Madras, A quarterly devoted to the Advancement of the Science and Art of Music (From January 1930, in progress)

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VI. *Sangita-Vijñāna-Praveśikā* (monthly Journal in Bengali, from 1331 Bengali year, in progress).

Supplementary Bibliography

Books

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HEMENDRA LAL ROY *Problems of Hindustani Music*, Bharati Bhavan, Calcutta, 1937

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S SUBRAMANYA SASTRI. *The Sangraha-cuda mani of Govinda*. With a Critical introduction in English by T R. Srinivasa Iyengar, The Adyar Library, Madras, 1939

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C. SUBRAMANYA AYYAR. *The Grammar of South Indian Music*, 1939 Maharana Vijayadeoji of Dharampur—*Sangit Bhava*, Vol II (English Gujarati text) B. J. Mody, Sanj Var-taman Press, Bombay, 1940

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G H RANADE *Hindustani Music, an Outline of its Physics*, Poona, 1939

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S. SUBRAMANYA SASTRI: *Sangita-ratnakara* with the commentaries of Chatura-Kallunatha and Simhabhupala, Bramhavidya, The Adyar Library Bulletin, 1940.

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P. S. S AIYAR AND S S SASTRI: *Sangīta-Sudhā* of King Raghu-natha of Tanjore, Madras, 1941

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K. G. MULAY: *Bharatiya Sangit* (Marathi Text), Yoshoda-chin-tamani Trust Series, Vol. X, Bombay 1941)

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P SAMBAMOORTY: *South Indian Music*, 3rd Edition, Madras, 1941

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RAMAKRISHNABUA VAZE: *Sangit Kala Prakash*, Part II (Hindi Text), R N Veze, Loka Sangraha Press, Poona, 1941

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C KUNHAN RAJA: *Sangita-Ratnakara* of Sarangadeva, English Translation, The Adyar Library, Madras, 1945

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V. N BHATKHANDE: *A Comparative study of some of the Lead-ing Music Systems of the 15th, 16th, 17th and 18th Centuries*, Bombay, 1941

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V N. BHATKHANDE: *Hindusthani Sangit Paddhati*, 5th Edition (Marathi Text) Bombay, 1941

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SHRIPADA BANDOPADHYAYA: *The Music of India, A Popular Handbook of Hindusthani Music, with 23 reproductions of Indian Miniature Paintings depicting Ragas and Raginis*, D B Taraporevala Sons & Company, Bombay

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R L BATRA: *Science and Art of Indian Music*, Lion Press, Lahore, 1945

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D. P. MUKHERJI: *Indian Music, An Introduction*, Kutub Pub-lishers, Bombay, 1945

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SHRIPADA BANDOPADHYAYA: *The Origin of Raga A short Historical Sketch of Indian Music*, Sircar Bros Daryagang, Delhi, 1946

Articles

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MISS P C DHARMA: *Musical Culture in the Ramayana*, Indian Culture, Vol IV, 1938 pp 445-454.

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MAHARANA SAHEB OF DHARAMPUR: *Music in India*, Indian Arts and Letters XII, 1938, pp 61-64

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MUHAMMAD UMAR KOKIL: *Music during the reign of the Sul-tans of Gujarat* (Gujarati Text) Quarterly Journal of Forbes Gujarati Sabha, Bombay, Vol III, 1938, p 398

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LAKSHMANA SANKARA BHATTA *The mode of Singing Sama Gana*, Poona Orientalist, IV, 1939, p 1-21

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V K R. MENON AND V. K RAGHAVAN. “*Govinda*”, the greatest musical theorist of South India, Bulletin Ramverma Research Institute, Trichur, VII, 1939, pp 140-143.

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N S RAMACHANDRAN *The Ragas of Karnatic Music*, Bulletin No 1, Department of Indian Music, University of Madras, 1938

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P SAMBHAMURTI *A History of Sacred Music of India*, K. V. Rangaswami Aiyangar Commemoration Volume, Madras, 1940.

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JOHN KAVANAGH *Indian Music*, Indian Arts & Letters, XIV, 1940, pp 105-110

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TARUN GHOSHAL *Hindu Contribution to Music*, Calcutta Review, LXXIX, 1940, pp 257-266

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K D RUKMINIYAMA *Music*, Journal of Indian History, XX, 1941, pp 133-34

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DENNIS STOLL *The Philosophy and Modes of Hindu Music*, Asiatic Review, Vol 37, 130, 1941, pp 334 342

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O C GANGOLY *Non-Aryan Contribution to Aryan Music*, Annals of the Bhandarkar Oriental Research Institute

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O C GANGOLY *Date of the Sangita-Raga-Kalpa-Drumah*, Annals of the Bhandarkar Oriental Research Institute, Poona, Vol XV, Pts 1-11, 1931

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O C GANGOLY *Who were the Satavahanas?* Journal of the Andhra Historical Research Society, Vol XI, Pts 1 & 2, P 13-15 (Discussion of Andhra Ragini)

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O C GANGOLY—*Dhruva. A type of Old Indian Stage-Songs*, the Journal of the Music Academy Madras, Vol XIV, Pts I-VI, P P 1-7

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O C GANGOLY *The Meaning of Music*, The Hindoosthan, (a quarterly Journal published from Calcutta) January-March 1946, P 12

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Dr BANI CHATTERJI—*Applied Music*, a Lecture delivered at the Royal Asiatic Society of Bengal, 8th March, 1948, and Published by Bankim Mukherji, No 5/1B, Baranashi Ghose 2nd Lane, Calcutta.