Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s25: Appendix 27
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s25
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Appendix 27
c15.s25.1
According to *Sangīta-nārāyaṇa* by Purusottama Miśra, court poet of Nārāyaṇa Deva of the Gajapati Dynasty (Circa 1730 A.D.) The author quotes the differing views of the lists of rāgas as given by Nārada in the *Pancama-Sāra-samhitā* (Appendix 13), and Mammata in *Sangīta-ratna-mālā* (Appendix 5), and cites the system of rāgas as current in his time. The text available, that of the Ms. of the Asiatic Society of Bengal (No. 2513-69-E4) is very much corrupt, and undecipherable at various places.
c15.s25.2
BHAIRAVA
c15.s25.3
Bhairavī | Kaiśikī | Bhāṣa | Velāvalī | Vangālī
c15.s25.4
VASANTA
c15.s25.5
Anonita (?) | Deśākhya | Nona (?) | Prathama-manjarī | Masravī (?) Mallārī (?)
c15.s25.6
MĀLAVA-KOUŚIKA
c15.s25.7
Śaivī (?) Toḍī | Guṇḍakirī | Varāḍī | Khamvāvatī | Karṇāṭī
c15.s25.8
ŚRĪ-RĀGA
c15.s25.9
Gāndhārī | Deva-gāndhārī | Mālava-śrī | Sāverī | Rāma-kirī
c15.s25.10
MEGHA-RĀGA
c15.s25.11
Lalitā | Mālasī | Gourī | Nāṭī | Devakirī
c15.s25.12
NATA-NĀRĀYANA
c15.s25.13
Saramani (?) | Ābhāsa (?) | Kāmodī | Gunjarī | Kakubhā
Linked texts (2)
- Saṅgītanārāyaṇa — Gajapati Vīrasrī Nārāyaṇadeva 1675, Sanskrit
- Pañcamasārasaṃhitā — Nārada, Sanskrit