Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s25.1
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c15.s25.1
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- English
c15.s25.1
According to *Sangīta-nārāyaṇa* by Purusottama Miśra, court poet of Nārāyaṇa Deva of the Gajapati Dynasty (Circa 1730 A.D.) The author quotes the differing views of the lists of rāgas as given by Nārada in the *Pancama-Sāra-samhitā* (Appendix 13), and Mammata in *Sangīta-ratna-mālā* (Appendix 5), and cites the system of rāgas as current in his time. The text available, that of the Ms. of the Asiatic Society of Bengal (No. 2513-69-E4) is very much corrupt, and undecipherable at various places.
Linked texts (2)
- Saṅgītanārāyaṇa — Gajapati Vīrasrī Nārāyaṇadeva 1675, Sanskrit
- Pañcamasārasaṃhitā — Nārada, Sanskrit