Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.34
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.34
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c5.34
(1) It is sometimes believed that a *vivādī* note is to be avoided, and is absent in a rāga. This is not correct. A *vivādī* note is occasionally introduced to demonstrate its dissonant character in the scheme of a particular melody.