Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.6
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c5.6
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c5.6
“Samaśrutiśca samvādi pañcamasya samaḥ kvasit”=‘The samvādi note has similar quarter-tones (śruti) as the vādi note, or according to some, is equal to the fifth note.’ ‘Vivādi is a note situated at a distance of two Śrutis from the vādi note, e.g. gāndhāra (c) and nikhāda. (c). The other notes are anuvādi.