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Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.128

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.128

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English

c6.128

The most elaborate and authoritative exposition of Indian musical theories and practices is furnished by the magnum opus, known as Saṅgīta-Ratnākara, which we owe to Sāraṅgadeva, who is justly regarded as the greatest authority of the mediæval period. He lived in the first half of the 13th century (A.D. 1210-1247) and was associated with the Court of the Yādava dynasty of the Deccan which had its capital at Devagiri (Daulatabad) which was a centre of intellectual activity having contact with both the north-

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