Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.271

c6.271

Rāgamañjari: The third treatise, Rāgamañjarī, was probably composed by the author under the patronage of Rājā Mānsingh Ka’chwa and after he was introduced to the Imperial Court at Delhi. In this work, he cites twenty melodies as parents of the derivatives. They are as follows: Mukhārī, Soma-rāga, Ṭoḍī, Gauḍī, Varāṭī, Kedāra, Śuddha-nāṭa, Deśākśī, Deśī-kāra, Sāraṅga, Āherī, Kalyāṇa, Kāmoda, Hijeja, Rāma-krī, Hindola, Karṇāṭa, Hamīra, Mālava-kaiśika, and Śrī-rāga.