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Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.282

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.282

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c6.282

It is significant that Turuṣka Toḍi, which must have received an earlier affiliation is not mentioned in this list. On the other hand, Sarpardā, which is ascribed by tradition to Āmīr Khusrau, is here enumerated as a new-comer.¹