Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.294
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.294
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c6.294
This scheme differs from that of the 20 melas of Rāmāmātya’s *Svarakalānidhi* not only in the additional five melas, Bhairava, Mallāra, Kalyāna, Śuddha-vasanta and Hammīra, but we also miss in Somanāth’s list—the rāgas Hindola, and Hejujji. Bhairava is sometimes accepted in place of Mālava-gauḍa.⁴