Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.296
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.296
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c6.296
(1) Pandit Bhatkhande takes him to be an authority of the Northern School.
(2) “*Santi mukhārī-mele śuddhāḥ saḍjādayah svarāḥ sapta*”|| *Rāga-vivodha*, Chapter 3, 32.
(3) “*Rāgāḥ sat-purusāstesām pañca pañca tu yoṣitah*| *Sūnavah pañca pañcaiva sat- sasnṛti te’khilāḥ*”|| *Rāga-vivodha*, Ch. 4, 2, commentary.
(4) See Aiyar’s Edition of *Svarakalānidhi*, Intro XLVI.
(5) It is available in the edition of Raja Sir S. M. Tagore who published it with his own commentary and notes (Stanhope Press, Calcutta, 1881).
Cites (1)
- Rāgavibodha — Somanātha 1584, Sanskrit