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Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.84

Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c6.84

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English

c6.84

(2) Evam pradhāna-rāgāh syur laksanoktam yathā-kramam||50|| Anantāh santi sandarbhāh nānā-deśyāh prakīrtitāh| nārāyaṇa came out of the mouth of Pārvatī (Giri-jāyā), the daughter of the Himālaya when she performed the elegant lāsya dance.¹

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