Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.27
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.27
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c8.27
(1) “Daśa-daṇdāt-param rātrou sarvesām gānamiritam| Ranga-bhūmau nrpājñāyām kāla-doso na vidyate”|| of Tumburu by suggesting that the melodies appear pleasant and attractive when sung in appropriate hours, and that the rules have been framed on the basis of the structure of the notes.¹