Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.35
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.35
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c8.35
Early morning: Mallārī, Velāvalī, Sāverī. Morning: Lalita, Dhannyāsī, Nārāyanī, Karnāta-Vangāla, Vasanta-Bhairavī, Bhūpalī. Former part of the day (*pūrva-yāme*): Deśākṣī, Baulī Gauṇḍakriyā. Afternoon: Śudda-rāma-kriyā. Latter part of the day (*paścime-yāme*): Naṭī, Sāraṅga-naṭa, Bhairavī, Karnāta-gauda, Hejujji Madhyamādi, Revaguptī. Fourth or last part of the day (*carame-yāme*): Sāmanta, Śuddha-Vasanta, Kedāra-Gauḍa, Nāda-rāma-kriyā, Pāḍī. Evening: Mālava-Gauḍa, Śrī-rāga, Kambhojī, Rīti-Gauḍa, Saurāstra, Sung at all hours (*sarva-yāme*): Varālī, Mukhārī Mālava-Śrī, Hindola, Sāmavarālī, Nāgadvani, Soma-rāga, Ghaṇṭārava, Bhinna-ṣadja.