Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.47

c8.47

the Rāgas beginning with Bahulī, in the afternoon; the Rāgas beginning with Saurāṣṭra, in the evening; the Rāgas beginning with Suddha-nāṭa, in the dusk, and the Rāgas beginning with Karnāṭa, in the night. And finally the following Rāgas may be sung always:—Mālā-śrī, Dhavala, Mukhārī, Rāmakriyā, Pāvakā, Saindhavī, Āsāvarī, Gāndhāra, Māravī and Paraja. The above-mentioned Rāgas deserve to be sung successively in their respectively appointed times.”