Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.50
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.50
- Language
- English
c8.50
| Morning (3 hours from day-break)¹: | Madhumādhavī, Desākhya, Bhūpālī, Bhairavī, Velāvalī, Mallārī, Vallārī (? Vangālī), Soma Gurjjarī, Dhanāśrī, Mālavaśrī, Megha-rāga, Pañcama, Deśakārī, Bhairava, Lalita, Vasanta. |
| Morning (after the first watch): | Gurjjarī, Kauśika, Sāveri, Paṭa-mañjarī, Revā Gunakirī, Bhairavī, Rāmakirī, Saurāṭī. |
| Day-time (after the third watch): | (Gauḍī), Trivanā, Naṭṭakalyāṇa, Sāranga, Natta, Naṭas (all varieties), Karnāṭī Ābhīrikā, Vada-haṃsī, Pāhāḍī. |