Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.66
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c8.66
- Language
- English
c8.66
It follows, therefore, as a result of the analysis of the note-structure of the *rāgas*, that "Rāgs taking both Ri and Dha komala, Rāgs with both Ri and Dha Tīvra, or Ga and Ni Tīvra, and Rāgs containing both Ga and Ni Komal, will succeed, one after the other, in order of time."¹