Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c9.17
Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c9.17
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c9.17
(1) “Dakṣotriḥ Kapilaścaiva Vasiṣṭho Bhārgavastathā|
Nāradas Tumburścaiva ṣaḍjādīnām ṛṣīśvarāḥ|| 37 ||
Vahnir-Brahmā Śaradā ca Sarva-Śrī-nātha-Bhāskarah|
Gaṇeśvarādayo devāḥ ṣaḍjādīnām tu devatāḥ||38||
Nārada’s: Saṅgita-makaranda (G. O. S. p. 4).
Another version of this enumeration of svara-devatās and rṣis is given in Saṅgita-darpaṇa (Calcutta Edition, p. 381, verses 88_89).
(2) Sa-rī vīre’dh-bhūte raudre dho-vibhatse bhayānake|
Kāryyauga-nī tu karuṇe hāsya-śṛṅgārayor-ma-pau”|| 91 ||
Saṅgita-darpaṇa, p. 38.