Indian Sculpture and Painting, Illustrated by Typical Masterpieces, with an Explanation of their Motives and Ideals c9.59

c9.59

In the panel below either Mâya or the wife of Prince Siddhartha is engaged in paying her devotions at the temple. The grouping and the various attitudes of her attendants waiting outside the temple are as full of intense and subtle sentiment as any of the series. In none of these scenes is there any set form or mannerism in the grouping, such as we often observe in Ghiberti's The provided image is a blank page containing no printed text or headings to transcribe.