Indian Sculpture c4.s1.11
Indian Sculpture c4.s1.11
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c4.s1.11
What hitherto has come to light of Indus sculpture shows that the vitality of the human body is understood by a supple firmness of modelling, outline and texture of the surface, yet it is not appreciated as much as that of the animals, who seem to be of nobler lineage and to belong to a higher plane of existence. Trees, though not as frequently, are given the same importance as bulls, mythical animals, elephants, etc. It is by being associated with these trees that the human-divine figure, either by its co-existence in the same composition (Fig. 9) or else by entering into the tree (Fig. 7) or again by embodying into itself partly animal limbs, such as horns, hoofs or tail (Figs. 8 and 9), gains a wider importance.