Indian Sculpture c6.s4.5
Indian Sculpture c6.s4.5
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c6.s4.5
The distance that now is being kept is of a different order from the aristocratic aloofness of the figures in Māmallapuram (p. 81). Whatever attitude they assumed—overbearing, submissive or amused (Figs. 71, 73)—it was the outcome of an inner state of innocence, of an unbroken sense of being.