Indian Sculpture c9.230

c9.230

219. See notes 207, 208, and Fig. 36.
220. G. Rao, op. cit., Vol. II, Pt. I, Fig. XI.
221. G. Rao, ibid., p. 105, Pls. XIII, XIV.
222. The entire composition is reproduced by Codrington, *Ancient India* Pl. 37 *a*.
223. Jouveau Dubreuil, ‘La Descent de Gaṅgā,’ *Études d’ Orientalisme*, Vol. II, p. 292.
224. Cf. G. Rao, op. cit., Vol. II, Pt. I, pp. 338 and 171, Pl. XXXVIII.
225. Cf. Codrington, op. cit., Pl. 53; Coomaraswamy, *History*, Fig. 193.
226. B. C. Bhattacharyya, ‘The Goddess of Learning in Jainaism,’ *Malaviya Commemoration Volume*, 1932, p. 293.
227. *A.S.I.*, W. Circle, 1906–7, p. 29.
228. Coomaraswamy, *Early Indian Architecture*, *Eastern Art*, Vol. II, p. 215, Fig. 7.
229. *A.S.I.*, W. Circle, 1905, p. 32.
230. *A.S.I.*, W. Circle, 1910, p. 53; *Epigraphia Indica*, Vol. II, p. 116.
231. Re dates of Khajurāho temples, *Epigraphia Indica*, Vol. I, p. 121. Cf. Kramrisch, *Mogulmalerei und Indische Ueberlieferung* in Strzygowski, *Die Asiatische Miniaturenmalerei*, op. cit.
232. O. C. Gangoly, ‘Maithuna,’ *Rūpam*, 1925, p. 54.
233. Cf. R. D. Banerji, *Haihayas of Tripuri*, op. cit., Pl. XXXII.
234. Kramrisch, *Pāla and Sena Sculpture*, *Rūpam*, 1929, Figs. 5–7; J. C. French, *The Art of the Pāl Empire of Bengal*, Pls. X–XV; R. D. Banerji, *Gauḍīya śilpe dākṣiṇātya-prabhāva*, *Prabāsī*, 1337, p. 89, sees south Indian influence at work in the sculpture of this school from the third quarter of the eleventh century onward. But those features which sculptures from Karṇāṭaka (p. 118) share with those from Bengal are due to the phase to which both belong. Cf. Fig. 110, of an earlier phase, and free from the over-elaboration which Banerji supposes to be specifically southern.
235. R. P. Chanda, *Bhañja dynasty of Mayūrbhañja*, Pl. XXI.
236. Such intertwined human figures may be seen—wrestling—in *Bhārhut*, Cunningham, Pl. XXXV, 2. Intertwined animal figures in *Mohenjo-Daro*, op. cit., Pl. CXII, 386.
237. R. D. Banerji, *History of Orissā*, Vol. II, Pl. opposite p. 336; Coomaraswamy, *History*, Fig. 219.
238. J. Ph. Vogel, ‘The Woman and Tree, or Śālabhañjikā, in Indian Literature and Art,’ *Acta Orientalia*, VII.
239. J. Ph. Vogel, *Antiquities of Cambā*, p. 178.
240. H. Cousens, *Cālukyan Architecture*, p. 101, Pl. CVII.
241. *Mahābhārata*, Karṇa Parva, Chapter 90.