The Hindu Temple v2.c11.s2.2

v2.c11.s2.2

Approaching the image or Liṅga in the Garbhagṛha (Pl. V) it appears framed by the door which leads to this inmost sanctuary. With the wings of the wooden door opened, during Pūjā, the image is seen by the devotee in the middle of the door; the frame of the door is also that of the image; the distance between door and image is translated into colour and atmosphere. Having the image for its centre and subject, this picture is framed by the door-way with its carvings on sill, jambs, and lintel. The several parts of the door-way as given in the ‘Bṛhatsaṃhitā’ form a geometrical progression; the width of the threshold being equal to that of the door-jambs, the width of the door-way or entrance is double of each; and its height is twice the width. Similarly also are the parts of the door-way proportioned, assigned as they are to various images and carvings. At the bottom are the large figures of the Guardian divinities of the door, etc.; they occupy ¼ of the height of the door.