The Hindu Temple v2.c12.158

v2.c12.158

The particular ‘bandha’ in which the male and female body attain their union, their size and maturity (Pl. XXXIII), their physiognomical types, the kind and degree of their absorption, the form in which their group is cast, the correspondence of movements, directions and shapes of the central group and of the attendants, all these are knit into the unity of the work of art as the visible form of its ultimate meaning.