The Buddhist Art of Gandhara: The Story of the Early School, its Birth, Growth and Decline c11.14
The Buddhist Art of Gandhāra: The Story of the Early School, its Birth, Growth and Decline c11.14
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c11.14
Fig. 49 is in the Musée Guimet in Paris. The scene on it comprises five figures, namely, an elderly couple, a younger couple, and a small child, presumably a family group of three generations. The older man is holding a wine-bowl in his hands; the woman by his side carries an amphora in her left arm, while with her right hand she holds out a bunch of grapes to the child. The younger man is playing on what appears to be a tambourine, and keeping time with his left foot. His wife, beside him, is playing on a two-stringed mandoline. The older man wears a himation only, falling from the left shoulder and leaving the body bare. The younger one has a short, sleeved tunic tied with a girdle round the hips. The dress of the women consists of a long, sleeved chiton reaching from the neck to the feet, and over it a himation draped from the left shoulder and across the legs. The wine-bowl held by the elder man is distinguished by a scalloped turn-over rim and two vertical handles. The treatment of the men's hair in small, well-defined but rather rough masses is noteworthy. It calls to mind the hair of the two figures on a triangular slab of chloritic schist in the Calcutta Museum, which depicts a Gigantomachia and is of about the same age as the relief from Haḍḍa (cf. Foucher, A.G.-B.G. vol. I, p. 245, fig. 125). It should also be remarked that none of the figures, on this or the following panel, from Haḍḍa is wearing a garland.