Historical Development of Indian Music: A Critical Study c19: Index
Historical Development of Indian Music: A Critical Study c19
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Index
c19.1
Abhedānanda, Swāmī, 20, 97. Abhanavagupta, 67, 72. Ahobala, Pt., 79, 177, 182, 219, 224-25. Akbar, Emperor, 17, 77, 79. Alexander, Samuel, 333, 338. *Alpatva* (*lakṣmaṇa*), 94. *Amśa* (or *vādī*), 22, 90, 91, 94. *Aṅgas* (limbs of songs), 76, 172. Ambrosian (hymns), 13. *Anabhyāsa*, 94. *Anuvādī* (assonant), 22, 68. *Antara-mārga*, 94. *Antara* (*gāndhāra*), 28. Archar, W. G., 259. Aristotle, 5, 358, 364. Aristoxemus, 13. *Auḍabatva* (*lakṣmaṇa*), 94. *Ākṣiptikā*, 108. *Ālāpti*, 74. ,, *rāga*, 74. ,, *rūpaka*, 74. Ālvāras, 279. Āmir Khurau, 16, 77. *Ānandalahari*, 7. *Arcika* (type of song), 50.
c19.2
Baiju Bāorā, 16, 76, 302, 305. Balfour, Henry, 365, 366. Berkeley, T. C., 6. Bharata (Muni), 12, 28, 30, 34-36, 65, 70-73, 88, 91, 96, 103-104, 113-114, 116, 117, 119-123, 125-127, 138, 139, 170-173, 194, 302, 310-312, 341. ,, Significance of the name of, 139. Bhātkhanḍe, Pt. V. N., 141, 143, 154, 187. Bhāvabhatta, Pt., 183. Bosanquet, R. M. H., 143. Bow (instrument), 365. ,, its stages, 365, 366. Brahmābharata, 67, 69, 110, 128, 139, 173. Burney, Dr., 48.
c19.3
Caitanya Śri, 197, 198, 200, 201, 278, 279, 294-295, 312. *Cakra* (*mulādhāra*), 26, 27. Caland, Dr., 370, *Caryā* (Buddhist), 80, 193, 196, 216, 217, 218, 219, 282, 383.
c19.4
*Chanda*, 22, 337.
c19.5
Coomeraswamy, Dr. A. K., 57, 66, 67.
c19.6
Croce, B., 4.
c19.7
Dāmodara, Pt., 147, 181, 182, 235, 236, 237, 245.
c19.8
Dārwin, Charles, 46.
c19.9
*Daśa-lakṣmaṇa*, 12, 96, 97, 99, 105, 111, 112.
c19.10
Dattila, 73.
c19.11
*Deśi* (music), 22, 29, 66, 67.
c19.12
Dey, Captain, 16.
c19.13
Dhanañjaya (of *Daśarūpa*), 65, 72.
c19.14
*Dhāmāra*, 78.
c19.15
Dhanika, 72.
c19.16
*Dhātu* (s), 23, 75, 169, 176.
c19.17
” ancient, 174.
c19.18
” of *sāmans*, 172.
c19.19
” *sthāyi*, 175, 176.
c19.20
” *antarā*, 177.
c19.21
” *ābhoga*, 177.
c19.22
” of *prabandha*, 179, 180.
c19.23
*Dhruvapada*, 16, 76, 77, 78.
c19.24
*Dīpaka* (*rāga*), 153.
c19.25
*Dipti*, what do we mean by, 118.
c19.26
Dorian (mode), 13.
c19.27
*Dotārā*, 6.
c19.28
*Durgāśakti*, 12, 73, 114.
c19.29
Eddington, Sir. A., 340.
c19.30
Einestein, Alfred, 11, 46.
c19.31
*Ektārā*, 7.
c19.32
Farmer, Dr. H. G., 61, 62, 262.
c19.33
Felber, Dr., 338.
c19.34
Finney, Theodore, 5, 15, 96.
c19.35
Frazer, Dr., 162.
c19.36
Galpin, 62.
c19.37
*Gāndharva* (type of music), 11, 12, 65. 111, 112-113.
c19.38
” meaning of, 112, 113.
c19.39
*Gāthā*, 69, 335, 372.
c19.40
*Gāna*, 58.
c19.41
” *aranyegeya*, 58-59.
c19.42
” *grāmegeya*, 50, 59.
c19.43
” *uha*., 58, 59.
c19.44
” *uhya*, 58, 59.
c19.45
*Gīti* (s), 69.
c19.46
” *brahma*, 69, 110, 113, 291.
c19.47
” *kapāla*, 69, 110, 113, 291.
c19.48
Gīti(s) aparāntaka, 69. ” ullopya, 69. ” sarobinda, 69. ” uttara, 69. ” ṛk, 69. ” maṅgala, 196. ” dhevala, 196. ” gāthika, 50. ” pāṇika, 69. ” māgadhī, 71. ” ardha-māgadhī, 71. ” pṛthulā, 71. ” dhruvā, 71, 72. ” śuddhā, 73. ” bhinnakā (or bhinnā) 73, 115. ” rāga, 115. ” gauḍī, 115. ” sādhāraṇī, 115. ” vesarā, 73. ” dvipadikā, 74. ” jambhalikā, 74. ” khaṇḍadhārā, 74. ” carcari, 196. ” kīrti, 196. ” pañcālī, 203, 282. ” nātha, 215. ” regional type of, 195. ” different types of, 80, 82. Gopīyantra, 7.
c19.49
Gopāl Nāyaka, 16, 76. Goswāmī, Haridasa, Swāmī, 16, 77, 198, 199, 294, 295, 296, 297, 298, 299-301. Goswāmī Kṣtra Mohana, 29, 30, 247, 248. ” Kṛṣṇadāsa, 77, 138, 197, 202, 238-240, 300, 301, 305. ” Pūjārī, 228, 229. Graha, 22, 89, 90, 92, 93. Grāma (s), 13, 32, 58. Grāmarāga (s), 12, 68, 69, 70, 72, 86, 87, 95, 109, 110. ” seven types of, 69. ” ṣāḍava, 131. ” pañcama, 131. ” madhyama-grāma, 132. ” ṣadja-grāma, 132. ” kaiśika, 133. ” kaiśika-madhyama, 133. Grey Cecil, 8, 10. Guṇa (s), daśa, 22, 23, 24. Gupta, Rāmanidhi, 204.
c19.50
Hallisaka (dance), 291. Hambly, Mr., 365. Harp., 367. Havell, E. B., 352. Hṛdaya-Nārāyaṇa, Dev, 81, 225, 226. 227, 234, Hussian Sharqui, Sultān, 78. *Jany-janka*, 15, 34, 71. ,, system of rāga, 79, Jayadeva, 81, 193, 194-5, 222, 230, 262, 263, 266, 276, 281. *Jāti* (s), 168, 171. *Jāti* (rāga), 12, 33, 68, 69, 71, 73, 110, 111, 112, 127, 128. ,, *ṣāḍji*, 128- ,, *ārṣabhī*, 129. ,, *gāndhārī*, 129. ,, *madhyamā*, 129. ,, *pañcamī*, 129. ,, *dhaivatī*, 130. ,, *naiṣādī*, 130.
c19.51
*Kākalī* (niṣāda), 28. Kallināth, 28, 89, 93, 103, 120, 123, 125, 140, 178, 180, 181, 183, 219. Kālidāsa, 196. ,, rāgas described by, 74, 87, 88, 89. Kant, 5. Kannomal, 167. Kaśyapa, 145. Karatāla, 7.
c19.52
Kark, Ācārya, 360, 373. Kātyāyana, 170, 360. *Kāwāl*, 17. Keith, Dr. A. B., 372. Khān, Bāhādur, 205. *Kheyāl*, 17. *Khamaka*, 7. *Khañjanī*, 7. *Kheyāl*, 17. Kinnar, Madhusudan, 202. Kinera, 364 *Kīrtana*, 20, 202, 257-60, 288, 289, 314-15, 322, 324, 325. ,, nāma, 197. ,, sentiments of, 316, 317, 318, 319, 320. ,, rāgas of, 325. ,, tālas of, 326-329. ,, notation of, 330. Kohala, 72, 85, 114, 145. ,, -Bharata, 140. Kudumiamalai (inscription), 69, 106, 133. Kumbha, Rāṇā, 230, 231.
c19.53
Lamentation (song), 45. Langhana, 98. *Lāvaṇya*, 20. Layard, A. H., 367.
c19.54
Locana. Kavi, 79, 80, 143, 158, 195, 219, 226, 234, 235, 325.
c19.55
Lyre, 357.
c19.56
Macdonell, Edward, 46, 49, 95.
c19.57
Mādala, 7.
c19.58
Mallināth (rāgas described by), 87.
c19.59
Mahendravarman (Pallava King), 69, 108.
c19.60
Miān Tānsen, 16, 148.
c19.61
Mān, Rājā, 16, 76, 305.
c19.62
Mandra (lakṣmaṇa), 94.
c19.63
Mārga (type of music), 65, 66, 67.
c19.64
Mataṅga, 12, 73, 85, 88, 89, 93, 113, 114, 115-17, 119, 122, 145, 147, 189, 195, 226, 302.
c19.65
Mela (or melakartā), 15, 33, 78, 79, 89, 143.
c19.66
Microtone (s), 14, 28, 29, 32, 84.
c19.67
,, as described in the Nāradī-śikṣā, 70, 71.
c19.68
Milward, Miss, 364.
c19.69
Mirā Bāi, 16.
c19.70
Mūrcchanā (s), 14, 33, 34, 87, 88, 89.
c19.71
Music, Vedic, 65.
c19.72
,, laukika, 65, 67.
c19.73
Musical instruments, the divisions of, 354.
c19.74
Musical remains, in Mesopotamia, 61.
c19.75
,, in Mohenjo-dāro, 63, 63, 64, 105, 363.
c19.76
,, notes, the Kudumiyamalai Insp., 108, 109.
c19.77
Nāda (causal sound), 25, 51, 52, 57.
c19.78
Nārada, 29, 34, 36, 70, 71, 103, 112, 140.
c19.79
Narahari, Ghanaśyāma, 77, 200, 202, 203, 245, 246, 323.
c19.80
Nārāyaṇa, Kavi, 179, 203, 241, 242.
c19.81
Narottamadāsa, 82, 199, 201, 306, 307, 308, 309.
c19.82
Nātyaśāstra, 12, 28, 34, 36, 67, 88, 96, 106, 126, 127, 194, 195.
c19.83
Nritta, 73.
c19.84
*Nṛtta*, 72, 73, ,, seven types of, 73, *Nyāsa*, 93.
c19.85
Ogden, Prof., 9. Oskar, Dr., 257.
c19.86
*Pada*, 12, 23, 24. Panum, Prof., 356, 358, 364, 367. *Pārśvadeva*, 74, 116, 145, 146, 302, 303, 304, 363. *Pāthya (Kāvya)*, 96, 100, 101. Picture, visual (*rāga-mūrti*), 15. Pinder, 12. Plato, 5. Platonic systam, 13. Polyphony, age of, 13, 14. *Prabandha (song)*, 16, 69, 76, 169, 284, 285-87. ,, *dhruva*, 304, 305, 313. *Prasanna (guṇa)*, 23. Primitive culture (of music,) 45. ,, man (in music), 49. Puṇḍarika, Viṭṭhala, 79, 147, 224, 225. *Puṣkara (drum)*, 72,
c19.87
Purandaradāsa 347. *Pūrṇa (guṇa)*, 23. Pythagoras, 95, 96, 97. Pythagorian system (of scale), 95.
c19.88
*Rabāb*, 384. *Rādhā*, the word, 264, 265, 266, 270, 273. ,, Kṛṣṇa cult, 274, 276, 276, 277. *Rāga*, what is, 20, 21. ,, how to determine, 21. ,, nature of, 21. ,, *śaka*, 73. ,, *śakatilaka*, 73. ,, *śaka-miśrita*, 73. ,, *turuṣka*, 73. ,, ,, *toḍi*, 73. ,, ,, *gauḍa*, 73. ,, *botta*, 74. ,, *Kaiśika*, 74. ,, *bhairavā*, 75, 145. ,, *bhairavī*, 75, 145, 227. ,, *aṅgas*, 135-37. ,, *pañcama*, 153, 154, 155. *Rāga-gītis* (chart of), 135, Raga, in Rāmāyaṇa, 33, 68, 86, 100, 103, 105. ,, in Mahābhārata, 85, 86, 106. Rk(s), 58. ,, pūvārcika, 58. ,, uttarārcika, 58. ,, āranyaka, 58. Rāmadās, bābā, 16 Rāmāmātya, Pt., 32, 79, 147, 224, 383. Rāmanna, H.S. 3. Rasas (of seven notes), 103. Rāsalīlā, 292, 293. Renier, Prof., 4. Rowbotham, J.F., 47, 361. Rezzā, Mohammed, 29. Rythm, 334, 335, 352.
c19.89
Sach, Curt, 13, 61, 368. Sadāśivabharata, 67, 139. Sadguraśiṣya, ( commentator ), 170. Ṣāḍavatva (lakṣmaṇa), 94. Sama (guṇa), 24. Sāmagāna, 11, 22, 65, 105, 372. Sāmika (type of music), 50. Samikīrtana, 71. Samudragupta, 191.
c19.90
Samvādī (consonant), 68. Saṃnyāsa (lakṣmaṇa), 94. Śāṇḍilya (on rāga), 100. Sārdula, 73, 114. Śāraṅgadeva, 16, 27, 31, 32. 89, 69, 112, 115, 116, 119-21, 127, 146-47, 169, 172, 174, 187, 188, 196, 219, 283, 303, 305, 344, 345, 351. Sarasvatī (Devī), 51, 52, 53, 54, 56-7. Sarasvatī, Prabodhānanda, 221, 222, 230. Śaunaka, 336, 337. Scholes, Prof. 334. Śchneider, Prof. Marius, 44, 45, 59. Schopenhouer, 5. School, Seni, 205. ,, of Tānsen, 205. Seashore, Dr., 352. Sen, Rāmaprasād, 204. ,, Rādhā Mohan, 150, 185. Shāh Ālam II., 17, 204. Shāh, Mohemmed, 16. Śivan, P.T. Mahāvidyānāth, 142. Sikṣā, Māṇḍuki, 26, 26. ,, Nāradī, 25, 26, 28, 84, 46, 47, 59, 69, 70, 93. 106, 109, 131. Siṃhabhūpāla, 93, 116, 120, 188, 188, 291, 337, 339. Ślakṣṇa (guṇa), 28. Soma (stealing of), 56, 57. Somanāth, Pt., 32, 79, 147, 225. Spengler, O., 4. Spencer, Herbert, 47. Śridharadāsa, 193. Srinivāsa Pt., 182, 183. Śrinivāsan, R., 142 Stotra (s), 50. Strabo, 62, 357. Strangways, Fox, 176. Sukumāra (guṇa), 24. Subhaṅkāra Pt., 158, 235, 237, 238. Sudarśanācārya, 149, 150, 153. Suradāsa, 16. Suri, Harinārāyaṇa, 244. Svara, 12. Svarāntara, (type of music), 50.
c19.91
Tāla, 12, 104, 341-43. ,, deśi, 345, 346, 347, 351. Tāra (lakṣmaṇa), 94.
c19.92
Tagore, Rabindranāth, 209, 332. ,, Sir S. M., 29, 184, 208, 209, 247, 249, 250. Tempo, 338, 392, 343. ,, South Indian, 347-49. Thāta, 15, 341. Theory, Spencerian, 47. Toynbee, 4. Tulsi, Appaya, 346-47. Tumburu, Veṇā, 384. Vāc, 57. Vādī (sonant), 22, 68. Vahutva (lakṣmaṇa), 94. Vaiṣṇava savants, 81. Vālmiki, (on rāga), 68, 99. Vargīkaraṇa, 14. Varṇa (s), 68. Vasanta, three kinds of, 15. ,, kanaka, 151. ,, kala, 151. ,, kalyāṇa, 152. ,, gopikā, 152. ,, bhoga, 152. ,, bhairavī, 152. ,, mukhārī, 152. ,, varālī, 152. ,, veera, 152.
c19.93
*Vasanta*, *hindola*, 152. ,, *gambhīra*, 152. ,, *tīvra*, 152. ,, *vilavalā*, 152. ,, spirit of, 164. ,, symbolic idea of, 165. ,, psychological effect of, 165. ,, in *padāvalī-kīrtana*, 166. *Vasudeva-Kṛṣṇa*, 267, 268, 262. *Vīṇā* (s), 71, 352-62, 363. ,, *kāśyapī* (or *kacchapī*), 71, 384. ,, *audumvarī*, 71, 372. ,, *kṣauṇī*, 71. ,, *kinnarī*, 71. ,, *godhā*, 359, 360. ,, *ghoṣakā*, 71. ,, *piṅga*, 359. ,, *vāṇa*, 71, 359, 360, 361, 362. ,, *picchora* (or *piccolā*), 7, 872. ,, *dāravī*, 72. ,, *gātra*, 72. ,, *mahatī*, 387. ,, *citrā*, 72, 357. ,, *vipañcī*, 72, 357. ,, *rudra*, 384.
c19.94
*Vīṇā*, in the *Svaramelakalānidhi*, 383. ,, its division, 354. ,, its origin, 355. ,, its primitive shape, 355. ,, its successive stages, 358. ,, in the Vedic period, 369-72. ,, in the *Rāmāyaṇa*, 373, 374. ,, in the *Jātaka*, 374. ,, in the *Nāradī-śikṣā*, 374, 375. ,, in the *Nāṭyaśāstra*, 376, ,, in the *Tantra*, 377. ,, in Sanskrit treatres, 378, 382. ,, its four methods of playing, 379. ,, in the Sculptures, 380. Venkatamukhīn, 32, 80, 121, 122, 123, 124, 125, 142, 183, 219. Vidyāraṇya, Mādhava, 79, 138, 194, 195, 222, 235. *Vikṛṣṭa*, 23. Vipradāsa, 196. *Vivādī* (dessonant), 68. *Vykta* (*guṇa*), 23.
c19.95
Wallaschek, 47. Whitney, Prof. W. D., 188. Williards, Capt., 16, 29. Winternitz, Dr. 59. Wolley, Sir, 62.
c19.96
Yāṣṭika, 13, 73, 85, 114, 145. *Yati*, 343. ” *samā*, 343. ” *srotogatā*, 343. ” *gopucchā*, 343.