Historical Development of Indian Music: A Critical Study c19.94

c19.94

*Vīṇā*, in the *Svaramelakalānidhi*, 383. ,, its division, 354. ,, its origin, 355. ,, its primitive shape, 355. ,, its successive stages, 358. ,, in the Vedic period, 369-72. ,, in the *Rāmāyaṇa*, 373, 374. ,, in the *Jātaka*, 374. ,, in the *Nāradī-śikṣā*, 374, 375. ,, in the *Nāṭyaśāstra*, 376, ,, in the *Tantra*, 377. ,, in Sanskrit treatres, 378, 382. ,, its four methods of playing, 379. ,, in the Sculptures, 380. Venkatamukhīn, 32, 80, 121, 122, 123, 124, 125, 142, 183, 219. Vidyāraṇya, Mādhava, 79, 138, 194, 195, 222, 235. *Vikṛṣṭa*, 23. Vipradāsa, 196. *Vivādī* (dessonant), 68. *Vykta* (*guṇa*), 23.