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Vastu-shastra (Vol. I: Hindu Science of Architecture; Vol. II: Hindu Canons of Iconography and Painting) v2.c74.s3.12

Vāstu-śāstra (Vol. I: Hindu Science of Architecture; Vol. II: Hindu Canons of Iconography and Painting) v2.c74.s3.12

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English

v2.c74.s3.12

Now it may be pointed out here that sometimes in the texts on Iconography, the words 'hasta' and 'mudrā' are spoken of as synonymous, for example 'abhaya-hasta' and 'abhaya-mudrā' 'varada-hasta' and 'varada-mudrā', etc. Sometimes again the word 'hasta' denotes an emblem and a posture both, *e. g.* 'padma-hasta', 'pustaka-hasta', etc. would mean a hand holding a lotus and a book respectively; whereas the word 'sūcī-hasta' would literally mean a hand holding a sewing needle ; but really it denotes the pointing pose. The word 'daṇḍa-hasta' may stand for both, the emblem as well as a specific gesture. Further again, the word 'mudrā' is also used in a restricted sense of a hand pose, *e.g.* jñāna-mudrā, cinmudrā or vyākhyāna-mudrā—all these denote the peculiar posture in which the palm with fingers is shown.