Vastu-shastra (Vol. I: Hindu Science of Architecture; Vol. II: Hindu Canons of Iconography and Painting) v2.c75.s1.48

v2.c75.s1.48

**Iconological implication** :—Now before giving the representations of Brahmā’s icons in our sculptural heritage, let us say a few words on the Brāhma-lāñcchana-rahasya—the secret or the mystery of the attributes of Brahmā’s icons. Thus in conception and form, Brahmā is a vedic student, sacrificer and creator. “Metaphysically” says Brindāban, “he represents the Rajoguṇa or the active power. That is why he has red colour (cf. the S. S. Analārci) which is supposed to be peculiar to the creative power. He has four heads in reference to the four quarters of his works. His śakti or female phase is his own daughter Saraswatī or Vāc, possessing creative power of imagination and invention. Yajña or sacrifice, is full of Kāmanā or desire and creation :—‘सोऽकामयत अहं बहुस्यां प्रजायेयम्’—‘I shall be many’. Mythologically from his four mouths the four Vedas are said to have issued.” (Indian Images page 19).